Things I’m Learning as I Learn to Livestream

I recently decided to start up a ComicBase Livestream, so that I (your friendly neighborhood ComicBase creator) could reach out to the folks directly, and answer your questions live through the magic of internet broadcasting.

In the interest of aiding all who are considering setting up their own broadcast, here’s a few of the bits of technical trivia I’ve learned in the past two weeks as a newbie livestreamer:

  • “AFV” means “Audio Follows Video”. It also means that if you push the little button marked “AFV” on your ATEM Mini Pro switcher, you’ll be activating your video camera’s tinny little built-in microphone any time you switch the shot to the camera. The switcher then adds that audio to the sound from the big condenser microphone you had plugged into the switcher’s separate “Mic” port, giving your a bitchin’, doubled-up boomy sound. If you’re a student of audio engineering, you’ll recognize that this as reminiscent of the trick used to record David Bowie’s “Heroes”… except that it sucks.
  • The ATEM Mini Pro switcher is a fantastic piece of gear–basically giving you a portable TV switching console with the ability to directly livestream right from the switcher. But it lacks a headphone jack, so you’ll never hear the boomy AFV thing until you play back the audio after the livestream.
  • The FocusRite Scarlett 2i2 audio interface I sprung for in order to be able to use a decent condenser microphone for the shoot is also wonderful… but it only has one set of outputs. This means that if you have those going to your speakers so you can hear your computer, you can’t also send the output to your video switcher to take in the sound of the condenser microphone you’re using the Scarlett’s phantom power for. For about a day, I fooled around with various Y-cable scenarios, but eventually gave up and realized I just shoulda bought the more expensive Scarlett 8i6 in the first place. Which I then did. If you need a lightly used 2i2, please reach out: it’s going cheap.
  • If you want the big AT-4033 condenser microphone you’ve suspended on a boom stand to not slowly drop from the top of the frame into the center of your desk while shooting, there’s a trick. It is not, as it turns out, to wrench the tightening knob on your boom as hard as you possibly can (won’t work, strips the mechanism), but instead to suspend a small sandbag counterweight on the far end of the boom. Physics: the ultimate Lifehack!
  • My wonderful (and expensive!) Canon 5d Mark III camera will apparently auto-stop recording at 29 minutes, 59 seconds (a “feature” built into most DSLR cameras designed to avoid being classed as a “video camera” for EU taxation purposes). This is less than great if you suspect you might want to talk for 30 minutes or more.
  • On the other hand, the more-than-a-decade-old Canon HF-100 handycam I scrounged from my back closet works beautifully for shooting the video. But it also has an uncanny ability to auto-focus on the boom microphone I intentionally left in the shot, leading the focus on my face to be a little soft. This is flattering for hiding my increasing number of wrinkles, but is not a standard cinematographic artistic choice.
  • The reason almost every YouTube livestreamer except the truly professional begins their streams by staring blankly at the camera is that they’re watching YouTube’s preview window to see if it’s actually picking up their video feed before they click the “Go Live” button to start broadcasting the stream. After clicking that button, YouTube then apparently randomizes the starting frame by +/- 3 seconds in order to capture that uncomfortable staring look you had going as you waited for the video to appear in preview.
  • Live chat is amazing–but it scrolls by really quickly, and it’s nigh-impossible to catch anything but a tiny amount of the discussion until after the stream is over.
  • Despite all this, Livestreaming is a blast! I’ll be continuing to do it each Wednesday at 4pm Central, no doubt making new and creative mistakes each broadcast–and having a great time answering viewer questions, talking about new and obscure ComicBase features, and what have you. Please check out the channel here, and do the old “Like and Subscribe” thing to help spread the word, and get notified of new broadcasts!

One response to “Things I’m Learning as I Learn to Livestream

  1. Hello Sir,
    I am probably low on your radar, but I am an enthusiastic fan and long-time subscriber to ComicBase. While all my Pro friends are barking about CLZ or GPA, I stand with you, and your recent live streams have reinvoked my passion. It’s REALLY nice to engage with your company.
    I have some questions/ideas and I have some tips for your live feed if you are open to such things. I am also a prospecting and marketing pro by day, so ideas for my passionate hobby just kind of come out for folks I really respect.
    Praise:
    • You are EXTREMELY likable and endearing. Please keep being the face of ComicBase
    • Do not worry so much about pace, just focus on content. 30 mins does go by quickly, but that should not be a throttle if you are serving up tenable content. People will watch. A lot. You do ramble a bit about computer stuff, cut that shit really short for the rest of us, it helps you.
    Questions and Ideas because I am selfish and want my software to operate at 110%
    • I would personally love a 100% ‘report’ episode. I know I am only scratching the surface of what my reporting functions offer
    o Wish List including Prices in a simple format
    o My comic w/o all the fuss of pics, just a simple list
    Possible Talking Points and critiques
    • Comb your hair back or wear a ComicBase Ballcap. I’m not trying to be mean, we all have haircuts, they are all mostly shitty, just maybe curb the thing.
    • Your Audio is so much better when you switch to shared screen, what vid meeting software are you using? Maybe hire an A/V nerd…
    • Keep us on the ComicBase Screen if possible. You are a cool dude and all, but I come here for the tutorials, and I need to see the screen (ComicBase). If you are clever you can put your mug in a small window at the bottom or whatever of the screen while you tour your most awesome software.
    • Why is Atomic Avenue relevant for value, and thus, why is ComicBase relevant for values? All my friends use CLZ, eBay Sold Listings, Overstreet, or GPA. How do you really compare?
    • How can I submit comics that ComicBase appears to be missing? What is the process and who and how do I send the info to?

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